The Golden Globes 2021 looked very different this year thanks to the ongoing COVID-19 restrictions. Though it was nice to see that Awards Shows are still trying to carry on regardless. Of course some of the glam and glitz we have grown accustomed to was missing but what was captured in its place was an intimate togetherness with our favorite stars and that is a unique gift in itself. Tina Fey and Amy Poeholer looked fabulous as always and both did a great job hosting the show, which meant contending with less than perfect internet connections. Technology eh. One of the highlights of the night was seeing Jane Fonda awarded with the Cecil B. DeMille Lifetime Achievement Award who used her platform to highlight the need for diversity in film while saluting her ‘community of storytellers’. I was also personally very happy to see Daniel Kaluuya win Best Supporting Actor for feature film ‘Judas and the Black Messiah’, especially since the movie was overlooked for best picture (and of course that Canadian sitcom Schitt’s Creek received much deserved acclaim too). The Golden Globes – dubbed the ‘wildest night in Hollywood’ – looked pretty tame, but I enjoyed it and though I predicted movie ‘Mank’ (who received the most Golden Globes Nominations = 6 total) would win big – it didn’t. Instead ‘Nomadland’ took home top prize of Best Picture. Gotta love surprises I guess. The Golden Globes category/winners are in bold below (just for motion pictures).
P.S. I loved all the black and white attire – so classic and timeless. Very Hollywood.
Best Motion Picture — Musical or Comedy
“Borat Subsequent Moviefilm” — Winner
Best Director — Motion Picture
Chloé Zhao, “Nomadland” — Winner
Emerald Fennell, “Promising Young Woman”
David Fincher, “Mank”
Regina King, “One Night in Miami…”
Aaron Sorkin, “The Trial of the Chicago 7”
Best Performance by an Actor in a Motion Picture — Drama
Chadwick Boseman, “Ma Rainey’s Black Bottom” — Winner
Riz Ahmed, “Sound of Metal”
Anthony Hopkins, “The Father”
Gary Oldman, “Mank”
Tahar Rahim, “The Mauritanian”
Best Performance by an Actress in a Motion Picture — Musical or Comedy
Rosamund Pike, “I Care a Lot” — Winner
Maria Bakalova, “Borat Subsequent Moviefilm”
Kate Hudson, “Music”
Michelle Pfeiffer, “French Exit”
Anya Taylor-Joy, “Emma.”
Best Performance by an Actress in a Supporting Role in any Motion Picture
Jodie Foster, “The Mauritanian” — Winner
Glenn Close, “Hillbilly Elegy”
Olivia Coleman, “The Father”
Amanda Seyfried, “Mank”
Helena Zengel, “News of the World”
Best Performance by an Actor in a Supporting Role in any Motion Picture
Daniel Kaluuya, “Judas and the Black Messiah” — Winner
Jared Leto, “The Little Things”
Bill Murray, “On the Rocks”
Leslie Odom, Jr., “One Night in Miami…”
Sacha Baron Cohen, “The Trial of the Chicago 7”
Best Motion Picture — Animated
“Soul” — Winner
“The Croods: A New Age”
“Over the Moon”
Best Motion Picture — Foreign Language
“Minari” — Winner
“The Life Ahead”
“Two of Us”
Best Screenplay — Motion Picture
Aaron Sorkin, “The Trial of the Chicago 7” — Winner
Emerald Fennell, “Promising Young Woman”
Jack Fincher, “Mank”
Christopher Hampton and Florian Zeller, “The Father”
Chloé Zhao, “Nomadland”
Best Original Song — Motion Picture
“Io Sì (Seen),” Diane Warren, Laura Pausini, Niccolò Agliardi – “The Life Ahead” — Winner
“Fight for You,” H.E.R., Dernst Emile II, Tiara Thomas – “Judas and the Black Messiah”
“Hear My Voice,” Daniel Pemberton, Celeste Waite – “The Trial of the Chicago 7”
“Speak Now,” Leslie Odom, Jr., Sam Ashworth – “One Night in Miami…”
“Tigress & Tweed,” Raphael Saadiq, Andra Day – “The United States Vs. Billie Holiday”
Best Original Score — Motion Picture
Trent Reznor, Atticus Ross and Jon Batiste, “Soul” — Winner
Alexander Desplat, “The Midnight Sky”
Ludwig Göransson, “Tenet”
James Newton Howard, “News of the World”
Trent Reznor and Atticus Ross, “Mank”
Best Performance by an Actress in a Motion Picture — Drama
Viola Davis, “Ma Rainey’s Black Bottom”
Andra Day, “The United States Vs. Billie Holiday
Vanessa Kirby, “Pieces of a Woman”
Frances McDormand, “Nomadland”
Carey Mulligan, “Promising Young Woman”
Best Performance by an Actor in a Motion Picture — Musical or Comedy
Sacha Baron Cohen, “Borat Subsequent Moviefilm”
James Corden, “The Prom”
Lin-Manuel Miranda, “Hamilton”
Dev Patel, “The Personal History of David Copperfield”
Old Hollywood is brilliantly brought to life in David Fincher’s fascinating true story entitled Mank, written by Fincher’s late father Jack. This amazing period-piece centers on drunken washed-up screenwriter Herman J. Mankiewicz (Gary Oldman) who pretty much single-handedly wrote Orson Welles’ magnum opus Citizen Kane (released in 1941) yet was almost white-washed from receiving proper credit for reasons eloquently divulged in this movie. Script collaborations and ghost-writing are common occurrences in Hollywood but when the work turns out to be touted as the best movie ever made (a title still currently held as voted by the American Film Institute and others) it can haunt a person if their creative contributions are virtually invisible. Citizen Kane was nominated for a number of Oscars and won for Best Screenplay (Welles & Mankiewicz), with neither writer in attendance to accept the award. But Mank later commented, ‘I am very happy to accept this award in the manner in which the screenplay was written, which is to say, in the absence of Orson Welles.’ Ouch. Fast Fact: Orson Welles’ Oscar for Citizen Kane (1941) sold at auction in California in 2011 for $861,542.00 USD (£549,721).
Mank is such an appealing movie, and the invigorating cinematography alone is worth the watch. The only problem is that many modern-day viewers (minus movie buffs) might not completely appreciate and understand the backstory of this most captivating saga shot in black-and-white adding to its authenticity. Why? Because Mank’s script Citizen Kane, for all intents and purposes, was based on the real-life love affair between very young actress Marion Davies (Amanda Seyfried) and much older married newspaper tycoon William Randolph Hearst (Charles Dance) who was age 53 when he met his 19-year-old forever muse. For those unfamiliar with the plot of Citizen Kane, it focuses on very powerful publishing mogul Charles Foster Kane (aka William Randolph Hearst) and his mistress Susan Alexander (aka Marion Davies). Movie character Kane ends up dying alone in his mansion Xanadu (aka Hearst Castle – San Simeon Castle) uttering on his deathbed ‘Rosebud’ (aka Hearst’s pet name ‘tender button’ for Davies genitalia) leaving reporters scrambling trying to decipher his dying words. Yikes. What a salacious scandal off screen more than on! One can only imagine how this portrayal was received by the real-life players, especially when one of them was writing many Hollywood cheques! In short, William Randolph Hearst not only controlled much of the media he also lent his heavy hand to promoting Hollywood movies and could make or break careers at his leisure. Therefore, not the best idea to reveal deep dark secrets about mighty media moguls like Hearst – a truth that still holds today. BTW it is rumored that Orson Welles did not know the true meaning of the word ‘Rosebud’ in Mank’s Citizen Kane but nevertheless Welles most likely meant for it to metaphorically represent life’s simplicity as experienced in one’s earlier years rather than its literal meaning projected to audiences as the name of Kane’s childhood sled.
All that to say, the film Mank does not focus on the backlash brought on by the production of the film Citizen Kane (Hearst’s wrath included forbidding any of his popular newspapers to run the movie’s ads), or its lasting negative effects (roaring 20s superstar Marion Davies’ reputation was ruined when labelled a gold-digging talentless hack after the film’s release) but rather the creation of the written story itself and how it came to be penned by Mank in the first place. Marvelous. That said, this movie is not for everyone and there are certainly a lot of twists and turns with some government politics thrown in for good measure. However, despite being a bit difficult to follow at times there are some very valuable life lessons embedded amongst the layers. The most obvious take-away is how personal vices (arrogance, alcohol, excess, affairs…) can overtake people’s sensibilities leading to questionable and sometimes regrettable decisions with the main message extending in the same vein. Specifically how desperate people (powerful or poor) seem to capitalize on others’ weaknesses to get ahead. It’s a vicious cycle. Exploit vs. Utilize – ‘Men are used as they use others.’ – Bidpai. Case in point, Orson Welles exploited a down-and-out Herman Mankiewicz almost scooping the best work of his life. Herman Mankiewicz exploited William Randolph Hearst and Marion Davies betraying their close friendship by publicly exposing their affair. Media giant Hearst and actress Davies exploited… and so the story goes. A common problem then and now. Con ‘artists’ will double-cross anyone and everyone while climbing up their backs to squash and surpass them. Hollywood hospitality – don’t you love it – not.
Speaking of Hollywood, Awards Season is upon us kicking off this Sunday February 28th with the Golden Globes. The film Mank will certainly be raking in numerous accolades and not just because there is limited selection due to COVID-19. Other films in the running for best picture include The Trial of the Chicago 7, The Father, Young Professional Woman, and Nomadland, though true story Judas and the Black Messiah didn’t make the cut and that’s a crying shame. Nevertheless, it will be interesting to see who takes home the gold. I will definitely be watching, and my money is on Mank winning big! This is a solid film worthy of recognition and after all Hollywood loves films about Hollywood. Also, Gary Oldman is really incredible as Herman J. Mankiewicz and will no doubt be duly rewarded for his outstanding performance.
P.S. I have stayed at William Randolph Hearst’s Warwick Hotel in New York many times. Interesting enough Hearst built the hotel in 1926 for the love of his life actress/mistress Marion Davies who was performing across the street at the Ziegfield Theater at the time. This fabulously quaint Manhattan hotel soon became the most preferred place to stay. To this day endless pictures of Davies are displayed throughout the hotel along with other famous legends who have frequented the place over the years (Elvis Presley, James Dean, Jane Russell, Elizabeth Taylor, The Beatles…). This famous haunt was even home to actor Cary Grant for 12 years who lived on the 27th floor in one of the executive suites! Of course it goes without saying that Hearst spoiled soulmate Davies with expensive homes, riches, and rooms upon rooms full of beautiful clothes and stunning shoes. Davies was quite the fashionista in her day with fabulous fancy footwear fashion-sense to boot. Therefore, it’s no surprise that swanky Spanish shoemaker extraordinaire Manolo Blahnik has openly voiced his infatuation with the late Hollywood icon and even set up one of his famous high-end shoe shops (with full-time security guard parked at the locked door) just steps away from the Warwick Hotel built just for her. Perhaps some of his exquisite world-famous shoe-art designs are inspired by her timeless style. On the topic of fashion, talented Mank costume designer Trisha Sommerville will likely receive acclaim for her vintage clothing and shoe picks used in this past-time picture. Ah what a memorable era!
Since quality feature film releases are so limited these days due to COVID-19, many amusement seekers including myself are investing their time in series watching. Two Netflix grim-reaper picks worth considering are After Life, and Dead to Me. Both have a similar premise but differ in their approach. Let’s start the discussion and find out what life lessons each has to offer.
After Life: Depicting death’s sorrowful effects in a real-life way while maintaining a high-level of entertainment is a very tall order. Especially since most of us gravitate to film as a means of escaping heartache, not immersing ourselves in it. Audiences typically do not like to be reminded that our human experience consists of worst-case scenarios and painful losses. Since grief is the most searing of all emotions, stories that focus on its rippling force rarely hit the mark. But contrary to what some viewers might initially think, After Life (a Netflix original series) manages the task in a most extraordinary way. It is so unconventionally refreshing watchers find themselves completely hooked before the end of the first episode! From the onset, this British based dark comedy-drama mesmerizes onlookers, so much so, it’s impossible not to binge watch. Like a domino effect, viewers knock down one show after another in a quest to get to the conclusion. It’s no surprise this series has now signed on for a 3rd Season.
This extremely captivating story is written, produced, and directed by comedian Ricky Gervais (of The Office UK fame) who also plays the lead character Tony Johnson, but it is nothing to laugh at. The opening scene sets the tone for the entire series with Tony’s deceased wife Lisa (Kerry Godilman) who died of cancer, conversing to her very sad husband on his laptop monitor via a videotaped interview she created as a guide on how to survive life without her. Even though this series deals with difficult subject matter do not let that scare you away. Words cannot describe just how raw and engaging this gut-wrenching journey of the grief cycle is. From shock, pain, guilt, denial, anger, bargaining, depression, reflection, loneliness, reconstruction, and acceptance – this masterpiece clearly covers all the bases in a very charming and witty way without being too morose, maudlin, or melancholy. But the most remarkable quality of this series is that viewers are not required to have lost a significant other to understand and appreciate the compelling life lessons of its storyline and how all the amazing cast of interesting characters are intertwined. As Tony (Gervais) walks audiences through every emotion associated with grief and recovery it is so enthralling to watch how his friends, family, and unexpected acquaintances act as buttresses supporting him despite his hot temper and lack of coping skills. However the most endearing performer in the bunch is Tony’s loyal dog Brandy, whose dependency on her owner saves him from himself time and time again. Dog lovers will absolutely adore how the healing power of man’s best friend is highlighted from start to finish. This probably has something to do with Gervais’ real-life efforts as a staunch advocate for dog-rescuing. Bless.
In my opinion After Life is definitely Gervais’ best work ever. Even non-fans of Ricky Gervais will love him in this role and will enjoy his cynically funny and ever so clever demeanor. So what’s the life lesson of this film sequence you ask? In fact, there are many meaningful messages that viewers will pick up with each episode. For example, the importance of caring for others is emphasized a lot in different ways, as is speaking one’s mind and the import of honestly displaying one’s feelings, as well as how lovely love is, finding hope in hopelessness, and the never-ending challenges associated with trying to move on. But the key take-away is actually in the title itself though in the reverse. Instead of ‘After Life’ think Life After…!Death of a loved one knocks us off our game, but the sad reality is life goes on. Period. This is the main message of this series and it’s truly the hardest part about losing someone special. The clock keeps ticking even when we don’t want it to, leaving those left behind struggling to find a way to wind their new existence back into the timepiece in order to travel on. Endings vs. Beginnings – ‘Life is like riding a bicycle. To keep your balance, you must keep moving.’ – Albert Einstein. That means no full stops until the race is finished. Let’s see if this theme continues in Season 3.
Note: this series contains a lot of swearing with some choice curse words frequently used, but it might help to know that some UK profanity is not as frowned upon as it is in North America. For example, the word ‘cunt’ in the UK equates to ‘asshole’ in NA. Also, on the topic of phraseology, this show uses a number of British expressions that NA viewers may not be familiar with (e.g. skip=dumpster, bloke=guy, bird=girl, crisps=potato chips, jumper=sweater, bender=gay…). That said, none of the foreign dialogue interferes with the brilliance of this series or with grasping the overall gist of the story. I really love this series and give it two thumbs way up. Quick trivia: Oje crossed paths with Ricky Gervais, his agent, and Canadian Actor Will Arnett in the UK while out for dinner with a friend at London’s trendy Italian Restaurant Bocconcino and all three were most polite. Bless.
Dead to Me: This series (another Netflix original) also focuses on death and grief associate with losing a loved one but unlike After Life, this time around it is wife Jen (Christina Applegate) who loses her husband, not to an illness, but in a horrific hit-and-run car/pedestrian accident. The story opens with Jen fresh in the throes of grief, with the story soon revolving around her newfound friendship with Judy (Linda Cardellini), whom she meets in the first episode at a grief counselling session. What transpires is a wild and crazy ride with lots of interesting and unforeseen twists and turns along the way. Ed Asner is also featured in a small but meaningful role, which I enjoyed. This series starts off a bit slow, but once viewers get past the first few episodes it really starts to ramp up. Though unlike After Life whose storyline is very realistic, this show has more of a Desperate Housewives feel with a few genuine moments of realism in relation to bereavement. That said, do not let that deter you from indulging in this crime/mystery dark comedy. It’s quite the tale for audiences to follow as Jen tries to recover from her loss while hunting to find the reckless driver who so heartlessly mowed down her husband, left him for dead on the side of the road, then drove off scot-free into the night. Although this series is a distant second choice compared with After Life, it’s still gratifying and worth the watch, especially during this awful COVID-19 era of endless doldrums. The show has also been re-signed for a 3rd Season, so what’s this stringed-along-saga trying to teach us?
Like the series After Life, the take-away message of Dead to Me is very similar. Fairness is illusive, death is final, and life goes on. But this series also taps into the concept of what goes around comes around, especially in relation to soul-collecting. Intervals vs. Cycles – ‘A boomerang returns back to the person who throws it.’ – Vera Nazarian. In short, karma is a bitch and speaking of bitches, there is also a lot of coarse language used throughout this series, mostly by the females. I’m not a big fan of overdone swearing but then again, nothing goes better than some dishy curse words with a side of anger spurred on by grief! ha ha
PS. On a serious note, death is a very difficult subject to tackle in film and in real-life. This is because nothing will ever rip you apart worse than the wrath of grief. It’s an exclusive club that no one wants to join, and as member I know this to be true. Losing a loved one (spouse, partner, child…) is an agony that relentlessly traps and ravages its captives. It’s hard to say what’s worse; the confusion, vulnerability, aloneness, despair, or the unforgiving depression that spirals its victims into a pit so deep that clawing a way out is nearly impossible. Grief is such a dark torturous place it stings just thinking about it. But somehow through all the pain and misery there is a supreme enlightenment that can occur once through to the other side. As awful as grief can be it also has the power to transform in the most beautiful way. But like all of life’s journey there are inevitably a few directions one can choose. Having suffered terrible grief myself, I would never wish it on anyone. Though there is one amazing outcome I am forever grateful for. It made me a better person. How you ask? Grief broke my heart into near irreparable shards, but what I didn’t expect was that in its place a bigger one would grow – a heart of immeasurable humility and kindness. Now that’s some parting gift! A final word on the topic of death, Canadians were very sad to hear of Christopher Plummer’s recent passing (age 91). As Canada’s national treasure this amazing actor had endless accolades to his credit (Emmys, Tonys, Oscar…, even a Grammy nomination) and was also awarded our country’s top honor, the Order of Canada in 1970. What a legendary icon! He will be terribly missed, but we will forever celebrate his remarkable career and remember his classic elegance, tremendous talent, and the pride he took in being a true Canadian eh!
On the eve of the U.S. Inauguration, and with the country’s mounting divisiveness reaching a colossal destructive breakpoint, discussing legendary director Steven Spielberg’s 2012 historical drama Lincoln seems wholly appropriate. Racking up twelve Oscar nominations, including a win in the Best Actor Category for Daniel Day Lewis’ brilliant portrayal of Abraham Lincoln, this film focuses on the 16th President’s 2nd term and his political battle to stop the physical battle raging within his country. This highly sophisticated movie smartly stages the governmental clash behind the American Civil War (USA’s bloodiest conflict ever) and how Lincoln was able to break through white-ruling-class rhetoric, leading to the 13th Amendment of the U.S. Constitution passing January 31st 1865. This modification effectively abolished slavery stating, ‘Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.’ A cease-fire was ultimately reached between the Union’s Northern States and Confederate Southern States April 9th 1865 only 6 days before Lincoln’s assassination.
This film effectively walks audiences through a very detailed legislative account of the administrative backstory and how parliament finally came together to end one of the worst atrocities in history. What sets this fact-based film apart from others of similar content are the solid performances from its star-studded cast. Daniel Day Lewis leads the charge doing such an outstanding job playing Honest Abe, from his stance, gait, voice, demeanor, and of course his genital yet commanding leadership qualities. Lincoln truly abhorred enslavement, rightfully believing it to be a morally irreprehensible act. Not a single moment passes in this film where viewers are not completely engaged in Lewis’ (as Lincoln) endearing sincerity and complete commitment to ending oppressed bondage in America. Sally Field also does an excellent job playing Lincoln’s high-strung loving but challenging wife Mary Todd Lincoln. Additionally David Strathairn effectively plays Lincoln’s trusted Secretary of State William Seward, with Tommy Lee Jones (a personal favorite) wonderfully playing confrontational radical Republican Thaddeus Stevens who fiercely fought to secure the rights of African Americans and end discrimination of newly freedmen and freedwomen – one of whom he loved dearly.
The earthy feel of this movie, enhanced by dim lighting that amplifies the fact that electricity was non-existent at the time, coupled with regular citizens welcomed into the White House to converse with the sitting president regarding property rights bodes well with Lincoln’s true-to-life practical approach towards people and his non-elitist personality. As depicted in this film, there is no doubt that Lincoln was a remarkable leader who was able to get the job done. Lincoln’s brilliant insight into human nature can be attributed to his humble beginnings and the personal tragedies he endured, including losing his mother at age 9. As the self-taught son of virtually illiterate farmers, Lincoln only received less than a year of formal education yet went on to become one of the most revered men of all time. He equated his success to his voracious appetite for reading, which helped him become a thriving stateman, lawyer, and eventually POTUS. Lincoln also loved maths (almost mastering the 6 books of Euclid’s geometry), which the movie also highlights with him stating, ‘Things which are equal to the same things are equal to each other. That’s a rule of mathematical reasoning and its true because it works – has done and always will do.’ This quote brings me to the critical take-away message of this movie.
Some might say the obvious meaning of the film is equality or freedom from servitude; after all that’s what ending slavery was all about right? Sure it was. Lincoln said it himself, ‘If slavery is not wrong, nothing is wrong’, but that’s not the life lesson this movie imparts. The moral point has more to do with one of the last scenes showing Lincoln walking out of the White House on his way to the theatre – and his imminent death. Upon exiting, Lincoln’s black porter hands him a pair of ‘black’ gloves, which he then throws on a side-table leaving them behind as he departs the building for the last time. It’s a powerful moment packed full of symbolism that signifies the incredible legacy Lincoln left in his wake. First, gloves denote a buffer between skin-to-skin contact, and during the civil war era they were a mark of class-division between the well-off and the poor. A position Lincoln detested given his longstanding sympathetic attitude towards the underdog. But more than that it represents his endless ‘gloves off’ fight to remove barriers between people. So how can I be so sure the take-away message hinges on just this one scene? Here’s why. In actuality, Lincoln did in fact take his ‘white’ gloves to the theatre the night he was assassinated but didn’t wear them. These same blood-stained gloves (found in Lincoln’s left suit pocket that became stained as the blood trickled down the left side of his body into his pocket after being shot behind his left ear) remain on display at the Abraham Lincoln Presidential Library and Museum in Springfield, Illinois, but may soon be auctioned off to help pay down debts (how sad). Walls vs. Windows – replace the dark partitions of prejudice with the light of oneness. This was truly Lincoln’s final wish.
Lincoln’s towering accomplishments go without saying. However there is much work still to be done. Unfortunately today’s America still carries the olden scars of slavery, as the civil unrest of yesteryear appears to be rearing its ugly head again mirroring recent current events. A frightening prospect considering Abraham Lincoln’s forebode of insurrection, ‘America will neverbedestroyed from the outside. If we falter and lose our freedoms, it will be because we destroyed ourselves.’ Yikes. If you have any doubt about the rampant discrimination that still exists in the USA watch the amazing yet disturbing 2016 documentary entitled 13th available on Netflix. Surely Lincoln (a noble man with noble objectives) quoted as saying, ‘I walk slowly but I never walk backward’ did not intend for a portion of the 13th Amendment (‘…except as a punishment for crime whereof the party shall have been duly convicted…’) to be distorted and used to further exploit, punish, and deny anyone dignity and fairness. Hopefully, Joe Biden’s new administration will aim to better protect the most vulnerable as Lincoln had fought so hard to do.
Fast Facts: Abraham & Mary Todd Lincoln had four sons, three dying in childhood, with their third son William Wallace Lincoln dying in the White House of Typhoid Fever at age 11 in what’s now known as the ‘Lincoln Bed’ at 5pm on Feb 20th 1862. Only their eldest son Robert Todd Lincoln lived to adulthood. He became a lawyer, businessman, and politician who married and had three children; one son who died at age 16, and two daughters with only one producing two children, both of which had no children. Abraham Lincoln’s last undisputed descendant, his great-grandson Robert Todd Lincoln Bechwith died in 1985. Although the Lincoln line has ended he left an unmatched gift for posterity via his character, expressed through his actions and verse, ‘…in the end, it’s not the years in your life that count. It’s the life in your years.’ President Lincoln certainly lived a great life. Therefore, it is no surprise that Lincoln remains one of the highest rated presidents in U.S. history who left a plethora of wisdom through his wise words on so many topics still relevant today including, uprightness (‘I would rather be a little nobody, then to be an evil somebody.’), honor (‘You can tell the greatness of a man by what makes him angry.’) and life in general (‘I will prepare and someday my chance will come’). True words to live by as we must be in a state of readiness to accept our future prospects. This makes me think of the Semmering Railway and how Austrians build train tracks through the Alps before a train even existed that could make the trip! They laid the rails because they knew that despite the challenges one day a sturdy engine would come, and it did. This film reminds us that progress and positive change is possible when we set out to make it happen. Tomorrow, as the world welcomes a new U.S. President, let’s hope everyone has ‘prepared’ for a peaceful transfer of power – then perhaps that’s exactly what will come.
P.S. I have been to the U.S. Capital Building in Washington D.C. a few times. Once when I was flown in by ABC’s Good Morning America for an interview, and another time during a work-related trip. This national symbol is a stunning architectural wonder, with its lovely mammoth double-dome roof-top reconstructed during 1855-1866 and was not even completed when Abraham Lincoln was inaugurated the second time. It’s so sad to think this extraordinary building, that is arguably the most significant historical structure in all of America (where just a few years ago I roamed freely and openly admired its beauty), was recently infiltrated, deeply damaging not only the physical building itself but also the liberties it stands for. Now D.C. and particularly this building looks like a fortress in a warzone no longer accessible to the public. How sad. But all is not doom and gloom. On a positive note the 16th President was able to bring his nation together through his vestige of resolve. Let us hope the 46th President can do the same. God please bless the ‘United’ States of America.
True stories make for fantastic movies, especially when law-and-order are part of the topography. Given my love of factual pieces, and the recent climate of anarchy vs. authority, I thought discussing some good legal-eagle Netflix picks would be a good way to kick off the New Year. The four movies I have selected are all based on real-life law related events, and all are worth the watch. Let’s discuss each story in order of their actual chronological timeline as follows:
Operation Finale (2018) directed by Chris Weitzis is a great film to discuss given the apparent recent uprising of autocracy in a number of countries including the USA. This movie centers on the 1960 mission to capture Nazi Adolf Eichmann (brilliantly played by Ben Kingsley) from Argentina where he had been living freely with his family incognito under the alias ‘Ricardo Klement’. However, extradition procedures are not always easy and in fact, in Argentina at that time they were downright prohibited. Therefore, the suspense of this story focuses on how Mossad agents, particularly Peter Malkin (Oscar Isaac) whose sister and three children were killed by the Nazis, will find a way to successfully transport this notorious evil monster to Israel to stand trial for horrendous war crimes against humanity during WWII, namely people of Jewish decent. For those unfamiliar with the backstory of Adolf Eichmann, he was one of Hitler’s top henchmen who maliciously partook in unconscionable atrocities and was responsible for leading millions to their death. Although this movie plods along at times the ending is most satisfying as it reinstates some faith that terrible wrongs will not go unpunished! Accountability matters. On this point, Eichmann tried to rationalize his sociopathic actions to the Israeli leader stating, ‘I was not a responsible leader, and as such do not feel myself guilty’. But unlike author Hannah Arendt who demanded we rethink concepts of moral responsibility and reframe the awful acts committed by Adolf Eichmann as someone just following orders; in her words, ‘the banality of evil’, I say forget that! This is no defense. Case in point, the main message of this film is that innocent guiltless people do not willfully mask their identity. Exposed vs. Concealed – you can run but you can’t hide, especially from yourself. No matter how you project your image to the public you always know who you are and what you have done. Period. Let’s leave this discussion there – hanged on these words! Wink wink.
The Trial of The Chicago 7 (2020) is an amazing dramatization of seven freedom fighters on trial for anti-Vietnam war protests during the 1968 Democratic National Convention in Chicago. Written and directed by Aaron Sorkin this star-studded film explores the questionable behavior of real-life activists, namely, hippies Abbie Hoffman (Sacha Baron Cohen) and Jerry Rubin (Jereme Strong), along with passivist David Dellinger (John Carroll Lynch), clean cut future senator Tom Hayden (Eddie Redmayne), anti-war protestor Rennie Davis (Alex Sharp) and protesting bystanders John Froines (Daniel Flaherty), and Lee Weiner (Noah Robbins) who were charged with conspiracy as well as crossing state lines with the intent to incite a riot, that saw five of the seven defendants found guilty of unlawful conduct. That said, let’s not forget about the eighth man on trial, Black Panther’s Bobby Seale (Yahya Abdul-Mateen II) who was eventually released but the way law enforcement inhumanely treated him was truly appalling. Actor Mark Rylance does a stellar job playing defense attorney William Kunstler who uncovers the shocking truths that encompass the attorney general at the time John Mitchell (John Doman) and his predecessor Ramsey Clark (Michael Keaton) as it relates to this trial. It is worth stating that Joseph Gordon-Levitt who plays conscientious prosecutor Richard Shultz and Frank Langella who plays controversial Judge Julius Hoffman, also give notable performances in this film. In short, this is a compelling movie with a very clear takeaway message. Certitude vs. Subjugation – valuing human life and upholding one’s true convictions is the noblest of all deeds. Sacrificing for the greater good is what these convicted men did, including defending freedom-of-speech, a critical component of any democratic system today as it was a half a century ago when this trial took place. Overall this film is inspiring, and I love that this movie ends with providing facts of the real people involved, but just know some of details and updates might make you sad.
The Children Act (2017) is based on Ian McEwan’s novel of the same name and deals with complex and exceedingly principled matters, particularly a 1993 case of a very ill teenage boy dramatized as Adam Henry (Fionn Whitehead) in the film who refuses treatment due to religious restrictions. Directed by Richard Eyre this movie stars Emma Thompson who plays highly respected and extremely bright High Court Judge Fiona Maye whose decision-making authority holds the fate of this young man in her hands along with other similarly challenging cases regarding the fate of children. The story ironically revolves around Fiona, a childless magistrate, who has the power to choose what is legally best for children and their parents, while she herself deals with her own barren marital problems. Mainly her love-starved cheating husband Jack (Stanley Tucci) who has grown indifferent towards her due to her lack of availability. There is no doubt being a judge is hard work and takes a great deal of time, which can come at a high personal cost. However, the takeaway message of this film is that right or wrong, people want to be the arbiters of their own lives, and when given the chance, they want to make their own decisions. Not follow abstract rules imposed upon them by others. Verdicts vs. Choices – ‘I have spread my dreams under your feet. Tread softly because you tread on my dreams.’ – W.B. Yeats. It is no surprise that Irish poet William Butler Yeats plays prominently in this British based film, especially given that Ireland is always fighting for their independence. Food for thought: when in a position of making choices on behalf of others do not take the job lightly. This is an intelligent high-minded movie that keeps audiences captivated, though the ending leaves more questions than answers. Fast fact: The Children Act was originally enacted in 1989 and was last amended in 2004 with the guiding principle of safeguarding the rights and welfare of UK children – overall it is a good thing.
The Laundromat (2019) is an adaptation of Jake Bernstein’s non-fiction book entitled Secrecy World consisting of a disturbing series of stories that hinge on true events associated with the 2016 Panama Papers scandal. As the story builds the plot thickens and at its pinnacle leaves audiences enraged by displaying just how damaging off-shore tax schemes are. In short, they destroy low and middle-class people while making others billionaires. Gary Oldman and Antonio Banderas play law partners in crime Jürgen Mossack and Ramon Fonseca who find themselves in hot water for the misconduct of their Panama City firm. Allstar actress Meryl Streep brilliantly plays a fictitious widow, who ends up investigating their company for insurance fraud after losing her husband to an avoidable accident. Doing so leads to uncovering the firm’s underhanded shameless shenanigans and how the organization ducks and dives its responsibilities via ‘shell companies’. It is sickening to watch. Actors David Schwimmer, Matthias Shoenaerts, and Sharon Stone also co-star in this expose film that originally debuted at the Venice Film Festival. The main message of this movie is a classic capitalist fable – the rich get richer and the poor get poorer. Think of Bernie Madoff and his ponzi scheme as this is a similar story. Some filth just can’t be whitewashed but my-oh-my when these rotten wrong-doers have to face consequences it sure is a welcomed stain that victims are happy can’t be easily removed. Scam vs. Justness – American economist Alan Greenspan (5 Term USA Federal Reserve System Chairman) who I was lucky enough to hear speak when he came to Calgary in 2009 said it best; ‘Corruption, embezzlement, fraud, these are all characteristics which exist everywhere. It is regrettably the way human nature functions, whether we like it or not. What successful economies do is keep it to a minimum. No one has ever eliminated any of that stuff.’ How unfortunate. That said, the ending of this movie is most rewarding.
Note: Two other fictional honorable mentions that can be accessed on Netflix are State of Play (2009; Russell Crowe, Rachel McAdams, & Ben Affleck) and The Lincoln Lawyer (2011; Matthew McConaughey & Marisa Tomei) neither are true stories but are interesting legal-centric films with solid plots and good life lessons of wrongs put right. That said, if you really like fact-based law related movies there are three vintage courtroom dramas not on Netflix but definitely worth the watch, and all are loosely based on true events as follows: The Verdict (1982; Paul Newman), True Believer (1989; James Woods & Robert Downey Jr.), Philadelphia (1993; Tom Hanks & Denzel Washington). Each of these films end well with justice for all. Speaking of which, I also really like the movie entitled And Justice For All (1979; Al Pacino). It is not a true story but impactful all the same.
P.S. I have had a great deal of experience dealing with the law and certainly enough to know that having good lawyers in your corner is a blessing. Therefore, it makes me really happy knowing my son Oje has chosen this honorable profession to pursue; recently graduating with a Masters Degree in International Law receiving a First with Distinction, he is now planning to do a PhD in Human Rights Law in the UK. What a great career choice. Also, given his good heart coupled with his good brain I anticipate he will do a fine job for any clients that come his way. An aside; life can be so wonderfully strange. As it turns out Pipella Law who represented me years ago is the same law firm where Oje is doing his internship. Talk about going full circle! Wow. Final thoughts; I along with my fellow Canadians are very distressed to see the insurrection happening in the USA and we are so sad that five people lost their lives at the US Capital in Washington D.C. Like Canada, America represents Democracy not Autocracy! Peace and love to all.
On the eve of New Years Eve this most dreadful year is finally winding down! In the spirit of celebrating, I thought we could all use a good laugh and the very funny 70-minute mockumentary entitled Death to 2020 delivers just that. Directed by Charlie Brooker (creator of Black Mirror), this comedy satirizes the absolute misery we have all lived through this entire year. With a star-studded cast including the likes of Samuel L. Jackson, Hugh Grant, Tracey Ullman, Lisa Kudrow, Leslie Jones, Cristin Milioti among others, and narrated by Lawrence Fishburne this reflective parody spoofs how major events of the year were handled or rather mishandled, namely COVID-19, police brutality, the presidential election…
Although some critics didn’t like this Netflix presentation I thought the piece was quite humorous overall and the fact that it imparts a monumental life lesson for audiences to ponder going into the New Year is a bonus. In a nutshell this film hammers home the importance of good leadership! Guidance vs. Misguidance – this film wistfully highlights lampoon style that when catastrophic events occur if the in-charge advisors we depend on to lead us through troubled times are incompetent the task of confronting any crisis turns to chaos. To quote Leslie Jones’ character, a behavioral psychologist, ‘I’d say it was a train wreck and a shit show, but that would be unfair to trains and shit.’ True that! Although this film is not part of the Brooker’s Black Mirror franchise, it does resemble its very sinister content, though instead of turning benign fictional events dark it lightly caricatures malignant true-life experiences. I’m sure I speak for everyone when I say Death to 2020 can’t happen fast enough!
P.S. Last year the Harts rang in 2020 in paradise at one of our favorite places on Earth – Hawaii. Thinking back, who would have ever predicted the hell we would all face. As an eternal optimist I was hopeful that 2020 would be a good year, but then again I don’t always get it right. Let’s hope 2021 brings much peace, love, and good health to us all. God knows we need it. Happy New Year and see you next year!
As a traditionalist I prefer to view movies at the theater, but since COVID-19 hit watching films has transformed from the big-screen to my laptop screen. Given the limited number of new releases I thought it would be fun to discuss a series of interesting Netflix picks and their take-away life lessons. I have selected five fascinating flicks that highlight the difficulties with families, parenting, children, and conception. The primary film of discussion is inspired by factual events and the four runners up consist of two true stories and two films that resemble real-life experiences. Let’s get started with our mini monitor montage.
Top Pick: System Crasher (German Foreign Film)
This deeply compelling psychological drama is a must see! True to its title ‘System Crasher’ is a term used to describe out-of-control children whose antisocial behavior is so extreme they are deemed ‘unplaceable’ as they are too young to be admitted to in-treatment programs and too violent to be accepted into group/foster care. In short these severely troubled children render the welfare system uncopiable and literally crash the system. This film is so moving it really deserves a post on its own but not everyone enjoys watching foreign films with subtitles. That said, much like this year’s Oscar Winner Parasite – 5 minutes into the story viewers are so captivated by the drama all subtitles seem to fade away. Set in Germany, the plot centers on nine-year-old problem child Benni (played by Helena Zengel who gives an Oscar worthy performance and is one of the best child actors I have ever seen), an abandoned violent wayward girl who due to her uncontrollable outbursts (with endless bashing and screaming) cannot be placed by social services, which pushes the system and social workers to breaking-point. Directed by Nora Fingscheidt the movie shows what happens when children are neglected and rejected by the very people that are supposed to love and protect them – their parents. As you might have guested the main meaning of this film hinges on the importance of mother/child bonding and why it’s so vital to form functional sustainable relationships with parents and/or others. Attachment vs. Disorganization – although defiant swearing /punching feral-like child Benni resists conforming to the system she also has charming qualities that sympathetically draws-in her case workers Frau Bafané (Gabriela Maria Schmeide) and Micha (Albrecht Schuch), who work tirelessly on her behalf. This type of attachment behavior is typically referred to as attack/feigned helplessness. When frightening outbursts do not produce the child’s desired outcome the child learns to become helpless as a survival technique and thus switches from attacking behavior to seductively vulnerable behavior. When neither attachment strategy works the child become emotionally disorganized. It is heartbreaking to see children in this state, and true to form the movie’s ending is so haunting with a terrifying outcome that lingers with audiences for days, especially parents. It’s that disturbing. Not to give too much away, this film is a grim depiction of the makings of a sociopath and the saddest part is, all Benni really wants is to be loved and accepted by one person – her mother. Although Benni appears to be a scary unteachable misfit she’s actually quite resilient, but even the toughest kids crumble if their spirit is broken. On this point, the acting in this film is so gripping and real it’s like watching true-to-life macabre events (reminiscent of film The Florida Project). Just writing about this movie makes me so sad but it’s a weighty story every parent should see. Two Fast Facts: First, System Crasher was inspired by director Fingscheidt’s true-life experience when making a documentary about a refuge for homeless women and witnessed a 14-year-old girl there. When she asked why a child was amongst the adults the social worker responded by saying ‘oh, yes, system crashers, we can take them on their 14th birthday.’ Second, it’s no surprise that after 12-year old Helena Zengel’s stellar performance in System Crasher she was summoned to do the recently released Oscar-caliber film News of the World with Tom Hanks. Watch out for this little dynamo – she is a magnificent breakout star who is raising fast!
Four Runners Up
Lost Girls is the true story based on the bestselling book with the same name written by journalist Robert Kolker who details the still unsolved murders committed by the Long Island Serial Killer (aka Craigslist Killer). This very sad story centers on missing young sex worker Shannan Gilbert who had a habit of finding her clients on Craigslist and her mother’s struggle to find her. This fact-based crime drama opens with Shannon alive and planning to visit her estranged mother Mari Gilbert (Amy Ryan). When she no-shows and isn’t heard from her mother starts searching for her. Given Shannan’s morally questionable occupation her disappearance is not prioritized, a typical criticism of many police departments and media outlets when dealing with easily judgmental cases such as offences against prostitutes. The core of the story focuses on Shannon’s mother Mari’s fighting to keep her daughters’ vanishing front page news. Mari does this by rallying support from family members of other missing girls who have met the same fate. Directed by documentarian Liz Garbus the essence of this story highlights the complexity of parental responsibility and the risks faced by children of parents that are themselves at-risk. As the story unfolds it is revealed that Shannon was abandoned by her mother at age 12 years. Placed in foster care as her mother could not cope with her daughter’s bi-polar episodes and still parent her two younger remaining children. This story is very similar to System Crasher in that regard. In short, such narratives like this argue in favor of providing better social services to parents suffering with toxic stressors (depression, poverty, abuse). Since research shows keeping children with their biological parents usually produces the best outcomes over the lifespan, discussions have shifted from fostering children to fostering entire families to minimize risk. Too often our culture engages in victim-shaming and attributes much of the blame to mothers. Since we know mothers (and fathers) are the most important people in children’s lives and their parental presence has incredible influence on children’s choices doesn’t it make sense to buttress those in-need. Most parents, even the inept ones love their children on some level so shouldn’t we support them instead of ignoring them or tearing them down. VIP vs. RIP – the takeaway message of this film is that all people are precious and rather than shield those with power, society should place more value on at-risk individuals; they are the ones that need the most protecting after all, and doing so makes this world a better place for everyone.
Hillbilly Elegy is another true story based on the 2016 memoir of James David (J.D.) Vance about his life and the difficulties growing up in white working-class poverty in Middletown Ohio with an unstable drug-addicted mother (played by Amy Adams). Directed by Ron Howard, this film centers on young victimized J.D. who is largely raised by his aging grandmother (played by Glenn Close). The movie walks viewers through J.D.’s very tumultuous life from childhood to adulthood. Despite the odds it’s nice to see that J.D. grows up to be a successful Yale educated lawyer. This rags-to-riches story, though similar to The Glass Castle, is inspiring to watch. I love heartwarming stories of survival and of those who manage to break the cycle. This film is a bit slow moving and repetitive at times but it also delivers the important message of just how vulnerable children really are. This picture also demonstrates that despite not being able to pick one’s own family such circumstances should not keep individuals stuck. Lineage vs. Pedigree – the bottom line is that there is no doubt we are all shaped by our childhoods and our descents but that does not mean these uncontrollable elements of life have to define us. This film strongly underscores the message that we might not be able to fully escape our family background, but our future personal histories are ours to create. I love when factual movies end by showing the real-life players, and this film does just that.
The Land of Steady Habits is a comedic drama adapted from novelist Ted Thompson’s book of the same name. Directed by Nicole Holofcener, this fictional film has a Woody Allen feel with an interesting spin on mid-life crisis. The film opens with a sad recently divorced and retired single-dad Anders Hill (Ben Mendelson) attempting to redesign a new life now that he has effectively dismantled his old one. With ex-wife Helene (Edie Falco) already dating, Anders is at a bit of loss finding his groove with nothing functioning properly in the bedroom, with friendships, family, or otherwise. Disillusioned as he fumbles through his sudden self-induced middle-aged changes Anders struggles to connect with his own young adult son Preston (Thomas Mann), a recovering alcoholic, meanwhile befriending the neighbor’s troubled pot-smoking substance abusing son Charlie (Charlie Tahan). Throughout the film Anders, who previously led a comfortable life, is now searching for some sort of illusive balance but is met with one blunder after another. Though there are a few surprises in this film the primary take-away is a lesson in self-sabotage. Don’t do it! Stability vs. Volatility – in life most of us want the same things; love, security, peace, partnership, friendship, fun, normalcy… yet instead of maintaining such sacred gifts, we often squander them even though each are very basic and attainable wishes. In doing so we end up denying ourselves the happiness we are seeking. Sometimes we are our own worst enemies purposely sacrificing without any gains and basically making a mess of everything. Just an aside, in this film the story Charlie writes about Laika, the Soviet Space Dog is so moving and deep. It’s what made me like this picture even more.
Private Life is a story about married couple Rachel (Kathryn Hahn) a novelist, and Richard (Paul Giamatti) a theatre director both in their mid-40s living in New York City trying to conceive their first baby via a series of failed IVF cycles. This film directed by Tamara Jenkins, also starring Molly Shannon, John Carroll Lynch and others is an entertaining well-acted depiction of the struggles faced by couples who put off having children due to career aspiration only to be met with the heartbreaks encountered by having waited too long. The pain of hormone injections coupled with the disappointing non-outcomes along with the deflated hopes associated with donor eggs and adoption make the agony of this story tangible. Yet the atmosphere of the film never drifts too far into awkward territory. This is a very intelligent sophisticated film that deals with uncomfortable truths and lies told about life, conception, timeframes, and the nature of science. The take-away message of this film is that although our social constructs might change and evolve – biology seems to stay the same. Barren vs. Fertile – unfortunately women’s ability to bear children has an expiration date. A difficult reality most women dread, especially those still wanting kids. Though men should be aware that age takes a toll on male virility too, so don’t wait too long if offspring is the plan.
P.S. Given these five films all deal with parenting and family relations in one way or another I could relate to all of them directly or indirectly. Being a parenting researcher I have dealt with many at-risk families and definitely have the biggest heart for parents/children in-need, as demonstrated through the good works of the OHF. I have also experienced growing up in challenging circumstances and having to start over as a lone parent in life, which is never easy even if change is the desired goal. Thankfully, I didn’t encounter problems having my two kids but I love children and did plan to have a third baby, so I do know the disappointment of not having realized that goal. At any rate all the above-mentioned films are worth watching and certainly contain a myriad of life-lessons to reflect on. Thanks also to Rick Delamont for recommending System Crasher – what a movie! Enjoy.
This 1946 Frank Capra Christmas classic is based on the short story entitled The Greatest Gift (published in booklet form by Philip Van Doren Stern in 1943) and is the ultimate feel-good holiday movie with many great life lessons. Just what we need during these trying times with so many people feeling discontented over COVID-19 and news of more contagious strains of the virus. This popular Xmas film set in the fictional town of Bedford Falls (aka Pottersville) regained popularity in the 1970s when the film’s copyright lapsed, and networks proceeded to broadcast it for free annually to adoring audiences.
The film opens with everyone fervently praying for a troubled George Bailey (James Stewart). So much so heavenly angels are summoned to act in his defense by sending to Earth, angel-in-waiting Clarence (Henry Travers) who has yet to earn his wings. Clarence intercepts George’s life clutching a book by Mark Twain at the pinnacle of George’s demise but not before learning the backstory of his voyage to the brink. Keep in mind Clarence’s hardcover volume is Tom Sawyer (whose character in the book incidentally witnesses his own funeral), as it is a significant clue about the main take-away message of this movie.
The tale unfolds by showing that since childhood George Bailey, an impenetrable dreamer, envisions an exciting life of higher education, adventure, building cities, and world travel far away from his modest digs. Forever planning his escape from boyhood to manhood George seems to perpetually be held back by the firm grip of his mundane life. As a morally sound person who always does the right thing George’s personal goals continually get sidetracked much to his deep frustration and dismay. To expand, as George prepares to embark on his long-awaited ambition to attend college his father falls ill and dies. As a result George is faced with a dilemma. If he leaves his father’s company the Bailey Bros. Savings & Loans will be taken over by the town miser, wealthy heartless businessman Mr. Henry F. Potter (Lionel Barrymore) who greedily plots to monopolize every company in sight. In all good conscience George forces himself to stay back, postpone college, and operate his late father’s business to ensure its independence. Doing so allows poor town-folk a financial lending alternative to Mr. Potter’s high interest rip-off options. George instead sends his younger brother Harry (Todd Karns) to school with his tuition money. Though George shares his deceased father’s philanthropic disposition, he has own ideas of a what makes for a successful life and is itching to get out of Dodge to make it happen.
After four long years managing the family business waiting for his younger brother to return to take over George learns Harry has taken a bride while away and has been offered a promising job by his father-in-law in the city. Again, George is left holding the bag along with the disappointing entrapment of Bedford Falls. In the interim young Mary Hatch (Donna Reed), who has loved George since childhood, also returns from college all grown up with eyes only for George. Long story short, George falls for Mary despite resisting, but then plans to incorporate his new spouse into his exciting expeditions aboard. An ironclad plan, but upon leaving for their honeymoon George witnesses a run on the bank. Mr. Potter who owns all financial institutions other than the Bailey Bros. Savings & Loans has purposely called in all loans in an effort to overtake the small Bailey’s stand-alone company. Though when George’s new wife Mary offers up the couple’s celebratory money to desperate Bailey’s patrons the company lives to see another day. But the tradeoff leaves George once again robbed of his break and confined to his small life in his small town. George is crushed but knows, ‘If Potter gets hold of this Building and Loan, there’ll never be another decent house built in this town. He’s already got charge of the banks, buses… and now he’s after us!’ George adopts his late father’s humanitarian approach to life helping immigrants buy their own homes, referred to by the hateful racist Mr. Potter as ‘garlic eaters’. George begins to truly see the value in what his departed father told him (‘I feel that in a small way we are doing something important. Satisfying a fundamental urge. It’s deep in the race for a man to want his own roof and walls and fireplace.’) and works tirelessly to accommodate other people. However, he cannot fully suppress the pangs of resentment and contempt over living a life he never really chose or wanted.
As the years go by, a war is fought, four children are born, and the likelihood of George ever leaving Bedford Falls dims as his common-day existence stabilizes. That is until one day when George’s loopy uncle Billy (Thomas Mitchell) loses a high-stakes bank deposit owed to Mr. Potter worth thousands of dollars. Unable to pay his debt, George faces utter ruin. Not only will his hard-earned reputation be soiled beyond repair, but with fraud charges looming, jail is a certainty. After despondently roaming the streets George finds himself on the ledge of a bridge. Under immense pressure and unable to cope with yet another setback George deems his life to be absolutely worthless and contemplates suicide. Though before he can act on his dark thoughts, angel Clarence plunges into the icy waters below knowing George will come to his rescue, which he does. After much discussion about George’s complete lack of value to his family and society, George wishes he had never been born. Clarence converses with the higher powers that be, then grants the wish. George will see life as if he never lived. After traversing many negatives George witnesses the magnitude of his absence and finally realizes what a significant role and positive impact he has had on so many lives. It is then that George wishes to live again ‘God please let me live again’. Without giving everything away let’s stop there and breakdown the many valuable life lessons of this cinematic masterpiece.
First, one key take-away is that people often walk around dead in their lives, dissatisfied while thinking the grass is greener on the other side (only because there’s more bullshit over there). As if in a holding pattern waiting for that one magnanimous event that will bring happiness, instead of appreciating the current moment. The fact is life happens bit by bit and if we are not fully present in our lives we will miss out on the many everyday blessings we take for granted. As the French proverb states, ‘Petit a petit, l’oiseau fait son nid’, which translated means ‘Little by little, the bird makes its nest.’ The message here is that life requires perseverance and patience to complete the task of a life well lived so don’t forget to smell the roses along the way. Second, we must gracefully flow with whatever circumstances we encounter as some of the greatest gifts are received through what we cannot control. One caveat, in these circumstances we must let intuition takes over as a true heart always knows the way even when the head is facing the other direction. Third, to really live means experiencing extreme highs and lows. Even though sadness and loss are unwelcomed guests they teach us to value happiness and fulfillment. Yin & Yang – both are required for balance. Fourth, this movie shows us that our lives are very precious and hold much more meaning than we give ourselves credit for. Unfortunately realizing the specialness of important relationships sometimes comes too late when they are already slipping away. Fifth, this flick stresses the importance of friendship, particularly highlighted via Clarence’s final message to George scribed in his coveted Mark Twain book, ‘No man is a failure who has friends.’ Now all five mores are powerful messages indeed, but none are the primary take-away of this movie. Instead the main meaning lays more in what makes for a successful life. Is it riches, travel, education, family, children, accomplishments…? No, no, no, no, no, no… It is true that all these elements of life can enrich one’s existence, but true success only comes in one form and it enhances all other aspects of life – putting others first.
Selflessness vs. Selfishness – ‘Find something more important than you are and dedicate your life to it.’ – Daniel Dennett (Harvard/Oxford educated philosopher). George Bailey certainly did this and as a result of his lifelong altruism and generosity of spirit almost everyone in Bedford Falls was inspired to assist him in his time of need. So much so George was allocated his own guardian angel to keep him safe and protected him from himself. Life can be very challenging with many obstacles, which can leave us wondering what it all means and how to incorporate the bad with the good. Referring back to Clarence carting Mark Twain from Heaven to Earth, if we could view the trajectory of our lives we would accept that life is like a book, all chapters are necessary and in the end it will all make sense. Just like Tom Sayer seeing his own memorial service, George gets a subliminal bird’s eye view of his non-life. If you don’t believe a person can truly change after seeing how they are perceived when no longer around just think of Alfred Nobel (inventor of dynamite who was mistakenly reported dead in place of his bother Ludvig – when Alfred’s obituary described him as ‘the merchant of death’ he bequeathed nearly his entire sizeable estate to establish the Nobel Prizes). It’s also worth noting that author Mark Twain famously stated, ‘the best way to cheer yourself is to try to cheer someone else up’. George Bailey was indubitably a supportive thoughtful cheerleader for many and as a result viewed as ‘the richest man in town’. Now that’s a legacy worth leaving!
P.S. This film is a timeless classic that I always enjoy watching. It’s a beautiful well-made movie with exceptional acting and a breadth of ethical substance that makes viewers take stock of their own lives, me included. For the most part our journeys don’t often goes as planned. I know mine sure didn’t. Though despite deviated paths, unexpected turns, and ongoing hardships, life really is wonderful in so many ways, which I endeavor to be grateful for every day. Merry Christmas all and Happy 80th Birthday to Dr. Anthony Fauci – a true Xmas gift to science, the world, and mankind. Bless.
Watching a lighthearted comedy like Eurovision, especially during these difficult times, can serve as much needed food for the soul. This fatuous yet uplifting film set in Iceland has wacky Will Ferrell (Lars Erickssong) and the ever-so-lovely Canadian actress Rachael McAdams (Sigrit Ericksdottir) battling it out to qualify for a chance to have their band Fire Saga perform at Eurovision, a talent contest of Europe’s best. The only problem is their act is awful as it is fraught with ongoing unpredictable snags that always end up yielding the worst results. Needless to say the odds are against Lars and Sigrit ever becoming their nation’s official entry, and with so many countries competing overall, a grand win is even less likely. Regardless, this accident-prone duet lets nothing block their shot at glory or their aim at being the top-pick in their homeland and across the continent.
Although this story is fictional, Eurovision is a real-life annual international song competition hosted by the European Broadcasting Union (EBU). Originating in 1956, participating countries each select one lucky resident as a representative to submit an original song to be performed live on TV/Radio with citizens from participating countries casting votes to crown a winner. So how does this entertainment extravaganza become central to the plot? The film opens with a young motherless shy Lars unwilling to socialize at a household family gathering until he hears ABBA playing on TV. Hearing this music triggers a Europop frenzy in young Lars that grows into a lifelong fame-seeking quest, with a similar effect experienced by Lars young speech-inhibited neighbor friend Sigrit, who later becomes his ‘Dancing Queen’ so to speak. The movie’s running joke from start to finish is the suggestion that Sigrit may be Lars’ half-sister given his father’s promiscuous ways (played by Pierce Brosnan), and the fact that Iceland is such an isolated locale resulting in limited bed partners. It’s kind of a creepy though funny gag, but it works because the couple is so lovably pathetic. Therefore instead of the audience being revolted by the prospect of their possible siblinghood; viewers are hoping they are not blood related so their flame can eventually flicker.
That said, the film plays on the actual generalized personality traits of Icelanders, who are typically very sweet helpful people yet very serious with matter-of-fact dispositions, so audiences don’t really laugh at this disastrous duo but with them. Which brings us to Icelanders’ belief in elves, trolls, and other hidden beings. It’s true that the majority of Icelandic people believe elves/trolls exist. Even going as far as to reroute construction sites including redirecting roadworks as not to upset the elves. How adorable. Of course this movie doesn’t miss out on the opportunity to play up this superstition, and it’s quite endearing I might add. A note to the wise – ‘respect the elves or else’. If you don’t you might find yourself saying, “The elves have gone too far!”
As I have mentioned time and time again, every movie, no matter how silly or pointless, has a life-lesson to convey and this film is no different. One might think the ultimate take-away is finding one’s personal identity, or to never give up despite the probability of not succeeding or perhaps to always follow one’s dreams regardless of the naysayers. Of course these are no doubt worthy lessons to impart, however the main message of this film is more about serendipity (i.e. finding something wonderfully precious when in fact looking for something else). Kismet vs. Luck – the goals we seek do not always bring the happiness we image. ‘Sometimes the best things in life are unexpected.’ – Faith Sullivan. Ain’t that the truth.
P.S. I have visited Iceland and it is truly one of the most remarkable life altering, life affirming, breath-taking natural landscapes I have ever seen. Not to mention Icelanders have such enchanting mannerisms, including their elf folklore. Of course I couldn’t leave this place without a priceless pair of ceramic elves in-hand, as a souvenir to remind me of my fabulous experience. I think in part, this is why I liked this zany film (thanks doc Nicole for recommending it), and I particularly liked how the picture showcased a lot of Iceland’s unique natural and cultural qualities including its Elf Culture. Be sure to put Iceland on your bucket-list if you haven’t already been. FYI in normal times direct flights are offered from Edmonton to Reykjavik. I didn’t travel via this route but how convenient for us Albertans to be just one flight away from this magical land!
To christen the start of my second year as a movie blogger, I thought my first post should reflect something even deeper than sifting through the meaning of life through the movies we watch and open up the dialogue about what good is the meaning of life if we have no sustenance, no planet, and no life to look forward to! This is precisely why I have chosen to discuss the recent gripping environmental documentary made by Emmy Award winning broadcasting extraordinaire 93-year-old natural historian Sir David Attenborough: A Life on Our Planet. This stellar depiction of Planet Earth’s struggle with climate change is a must-watch for everyone and can now be viewed on Netflix.
Released earlier this year this documentary includes incredible modern-day footage as well as clips of a young handsome Attenborough taken from previous film works dating back to the 50s. This 83-minute assessment on climate change illuminates the pitiful state of the planet uniquely framed within the life’s work of the most prolific nature documentarians of all time, David Attenborough himself. There are some enlightening highpoints reported on his journey but for the most part this journalistic piece is extremely bleak. Much of the film is a dire call to action that clearly illustrates how the global impasse of our deteriorating existence has deepened over his 9+ decade lifespan. With the ongoing destruction our world is facing as animal populations continue to decline and wildlife reserves dwindle this film is truly alarming with some disturbing scenes that will have some viewers in tears. The somber account of Planet Earth’s demise is a certainty unless us humans change our behavior and fast! Narrator Attenborough makes it clear that despite our selfish takeover of the planet, Mother Earth will find a way to survive but whether our species does is up to us. Humans are only 100+ years away from extinction. Take it from the man who has seen more of the natural world than anyone. Everything Attenborough predicts is already happening (e.g. fires, floods, ice caps melting, global warming, extinction, erratic weather…). It is frightening to see the tragic future that awaits in our midst.
Even though this documentary depicts abysmal obscurity on the horizon, I admire how Attenborough tactically lays out the massive problem but also provides us with a very basic yet comprehensive solution that mankind can actually accomplish. What’s so interesting is how the challenges we face with climate change also resemble the predicaments we face as a society. In short, minimizing the importance and necessity of diversity has gotten us into immense trouble on all fronts! Culturally, depleted variation coalesced with the quest for wealth has spawned huge divides between individuals who have means and those who do not. Much like the battles we face socially, the problems we face with our planet are the result of destroying bio-diversity and replacing it with homogeneity in the quest for money and dominance. Case in point, replacing lush rainforests with rows of oil palms. Much like nature’s need to maintain equilibrium by letting all life forms thrive, society needs to provide equal opportunity to improve the lives of all its citizens while accepting and appreciating the splendor of individual differences (a mission of the OHF).
You guessed it – the take-away message of this documentary is the preciousness of balance and variation in nature and society. Conservation vs. Annihilation – Attenborough stipulates the terms of his practical formula and it’s really very simple. Equal opportunity for all and reforestation in the wild! Restoring our rainforests via replanting native foliage and reinstating wilderness in tamed farmlands. This is the answer. Such restoration has already been successfully accomplished on smaller scales. However, regrowth needs to happen in higher ratios, and it is up to everyday citizens to push for change, and make climate change a primary focus of all governments. In David Attenborough’s own words, this is his final witness statement, ‘we have knowledge but now we need wisdom.’ Amen!
Sir David Attenborough has truly lived an amazing life through and through. What a gift he has left us with this magnificent textual film-based signature – a true masterpiece of his life’s work. Well done you! At age 93 David Attenborough could retire but instead he is working tirelessly with Prince William to establish a Nobel Prize for Environmentalism entitled the ‘Earthshot’Prize, meant to inspire 50formulated solutions on how best to tackle the planet’s biggest environmental problems. On this point, it is my opinion that Attenborough should receive the first of this type of Nobel Prize for his lifelong work as an environmentalist. If you would like to sign the petition to this effect as I and many others have done please do so at: www.change.org. Fast Fact: David Attenborough has received numerous awards over the years including the 2003 Lifetime Achievement Award at the Banff International Film Festival. Way to go Canada! One final note about this documentary and its ties with Canada; I really appreciate that this film highlights Canadian efforts to stop the slaughter or whales. Nicely done Canada.
P.S. My kids are both much more environmentally savvy than I am, but I’m really improving. I’m excellent at recycling, and I (and the OHF) often support environmental causes (e.g. when in ocean environments we wear our 4 Ocean bracelets in support of this great cause). On the topic of oceans and rainforests, I have hiked many spectacular Hawaiian trails including Moana Falls Rainforest Trail. I love these rainforest hikes, and have done them many times, made even better by the fact that decades ago this particular rainforest was at risk of disappearing. Though through conservation efforts that continue today, and which we support every visit, this rainforest has been richly replenished. Another reason why I love hiking this rainforest trail is because scenes from Jurassic Park were filmed here, and on top of that it may be the only rainforest in the world that does not contain snakes! Since the Hawaiian Islands are in fact an archipelago, snakes are not a native species in the region. Also, it’s highly illegal to bring snakes to the islands, and with fines as high as $200,000 USD who would want to. Speaking of snakes, I liked that this film was produced by the World Wildlife Foundation (aka WWF) as we too share a common bond – we both took the WWE to court and won!